What does it take for an incident involving an orgy of violence to transcend the barriers of state censorship? More so, how does a dominant projection of an incident tend to subsume the worldview of the inhabitants? Teresa Rehman indeed provides hope in the context of Manipur protests of 2004 against the brutal gangrape and custodial killing of Thangjam Manorama. She says that state censorship is flat footed and cannot keep up with the swiftness and pervasiveness of personal accounts and the depth of that all-encompassing commons which is popular memory (Rehman, 2017). The quest for reality thus gets entangled in the deficit of projecting a highly charged protest on sexual violence and its dominant projection as a communal incident.