Natali Ningthoukhongjam


Reclaiming Time with Aribam Syam Sharma’s Imagi Ningthem and Ishanou

This year’s March did not begin right. The familiar incongruous blend of Yaosang and board exams was tinged with the growing fear of a disease that was almost visible at the horizon. Till then, it had mostly existed in news reports and memes featuring Mexican beer and aeroplanes with masks. I went out to see a concert on the fourth day of Yaosang. Later, after shaking hands with someone I was meeting for the first time, I cleaned my hands with a sanitiser. That night, I read a status update on Facebook that roundly abused the fools celebrating the festival in groups and crowds.  There were no reported victims yet. People were still flying in with only a thermal scan waiting to check if they were infected. All shops were open. We discussed the disease unhappily, but not with that massive shadow of fear and suspicion that would soon take hold once the lockdown was imposed, and the first victim identified.

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